Based on a widely-read French novel, Le Fantôme de l’Opéra by Gaston Leroux, first published as a serialization in 19 and later developed into various stage and film adaptations, the story eventually morphed into Lloyd Webber’s musical in 1986 with lyrics by Charles Hart and Richard Stilgoe. Photo by Matthew Murphy.Īnd so Mackintosh, the master magician among producers, has created yet another version of the most popular of musicals in his stable, Andrew Lloyd Webber’s The Phantom of the Opera. Decades after a musical has been written and shown to be successful, Mackintosh “constantly restages the same musicals in new productions, with fresh directors and casts,” even though, as he told the Financial Times last year, “Musicals are expensive to keep running.” Derrick Davis and Eva Tavares.
There’s a reason Cameron Mackintosh is the world’s most celebrated and most influential producer of theatrical shows. It’s sensible, actually, because the real thing will last longer than something shoddy.” – Cameron Mackintosh, in an interview with the Financial Times I think that’s my biggest bequest-that I imposed my standards. “I’m not going to take this on the road unless it’s as good as what people have read about, with the same lighting and the same sound.
0 kommentar(er)
